Amy Marcy Cheney Beach (1864-1944) was a pianist and a child prodigy. But she was also a girl, and thus wasn’t encouraged to pursue her dream of becoming a concert pianist, in spite of her brilliant and remarkable talent. When she was 18, she married a surgeon named Henry Harris Aubrey Beach, 24-years her senior, who believed it to be unladylike for women to perform in public, especially at a piano. He forbade Amy to perform concerts and recitals, except for once a year, and she was required to donate her fee to charity. As well, during her marriage, she became known as Mrs. H.H.A Beach.
While married, Amy turned her attention to composition. Shortly after her husband passed away, she wrote a Prelude and Fugue based on the letters of her name: A-B-E-A-C-H (H being B-natural in the German language), in A Minor, with a pedal tone of A throughout the piece. I hear this piece as though she is saying “I’m AMY! I’m AMY!” and reclaiming her identity as a pianist, composer and musician. Beach was the first woman to publish and have a symphony performed. A real trailblazer.
Dear Ms. Polk,
Have just heard your recording of the Amy Beach Four Sketches on YouTube. Brava to you!
My gosh, Fireflies is difficult. You execute it brilliantly and with the utmost musicality, as you do with each of those pieces.
Thank you for sharing these and your wonderful, wonderful playing.
I appreciate you for continuing to champion and records all these wonderful composers.
It’s so clear that Amy Beach’s music has been disregarded partially because of its titles in English… There are many Firefly pieces from France, where the title sounds so much fancier….
Anyhow, thank you for you wonderful efforts. I am an organist who is a perfectly decent pianist. In the church where I work we have a Steinway B plus our magnificent organ. I will definitely be learning the Beach Hermit Thrush at Eve to play for worship.
Thanks again for sharing you wonderful artistry.
Take care,
Eric Johnson